America house musician Roy Davis jr grew up in Chicago, Illinois, and was turned on to house music at an early age by Lil' Louis. Davis began his own production company named Phuture in the late 1980s. In the 1990s, Davis teamed with Chicago vocalist Peven Everett and recorded the hit single, "Gabriel" (Large/XL). The track garnered airplay, and was played in nightclubs around the world. It peaked at #22 in the UK Singles Chart in November 1997. The single sold over 200,000 copies, and has appeared on thousands of compilation albums including Desert Island Mix from Gilles Peterson.
Πέμπτη 29 Νοεμβρίου 2012
Πέμπτη 1 Νοεμβρίου 2012
Tesis – Amenabar’s first long film
Being only
22 years old, Amenabar made his official debut as director in Spanish cinema
with a brilliant and entertaining psychological thriller, called “Tesis”
(Thesis, 1996). The film, that explores the power of image in contemporary
societies, is about a student of Art&Cinema (named Ángela and played by Ana
Torrent), writing her thesis about violence in films. Her professor wanting to
help her find a movie that fulfils her request of “images as violent as
possible”, unexpectedly dies while watching the movie he discovers in
University’s film library. Ángela steals the mysterious tape and together with Chema
(Fele Martínez), a classmate obsessed with horror and violent movies, discover
that this snuff film presents the torture and death of one of their classmates
that disappeared two years ago. How is this tape connected with Ángela’s new
professor, Castro (Xabier Elorriaga) who insists on “giving the audience what
it wants to see”, a suspicious but handsome classmate that attracts Ángela
(Bosco, played by Eduardo Norriega) and
even Chema? And how is Ángela going to be involved in this deadly game?
The film
not only was a box-office success, but also gave Amenabar numerous prestigious
international awards including the Audience Award at the Annecy Festival and seven
awards in Goya Festival (1996, including Best Picture, Best New Director and
Best Original Screenplay), an absolute triumf. Amenabar wanted to address the
issue of violence in cinema and television, dirrecting a movie that is not
obviously violent, but that it does provoke terror that is “psychological,
suggested through music and sound effects, but not seen”(as Amenabar said when
asked about the purpose of the film).
Notes
Snuff film; a genre of movies depicting the
actual murder of a person(s), without the aid of special effects
*Amenabar does not have a role in this movie,
yet you can notice his name on a computer screen when Angela is searching for
the possible buyers of the camera
*Castro, the name of the bad professor, is the
actual name of the professor that made Amenabar stop his University studies
Εγγραφή σε:
Αναρτήσεις (Atom)